gabriel mascaro

Check out our editors' picks for our favorite Prime Video original movies and TV series, including "The Boys," "Fleabag," and more. The Christian divine will let its necessarily scandalous voice be heard, and Joana’s story becomes the story of the possible implosion of any system that tries to saturate humans. 31 May to 04 June 2012 This brings us back to the political and perceptual aspects of the film. His first feature film, Ventos de agosto (August Winds), premiered in competition at Locarno in 2014 and was awarded with a special mention.

Divino Amor von Gabriel Mascaro - Filmbild 1. For all its creamy, dreamy styling, Gabriel Mascaro’s limber, sensual sci-fi functions as an urgent cautionary allegory. Film. He started his career as a documentary-maker in 2008, with KFZ-1348 (co-directed by Marcelo Pedroso), Um Lugar ao Sol (High-rise, 2009) and Doméstica (Housemaids, 2013). [20] In April 2016, the first retrospective of his work was held at the Film Society of Lincoln Center, in New York City (USA). The virus is not only the newly rampant fascism (actually spread worldwide) but, more precisely, its biopolitical intentions, that are oriented towards the enslavement of people through complete control of their bodies. Gabriel Mascaro. Filmexplorer had the chance to meet and interview Gabriel Mascaro during the Zurich Film Festival 2019, Screenings in September 2020 at Kino Xenix Zürich, During the same week, Gabriel Mascaro’s Divino Amor had its premiere in Brazilian cinema theatres and Jair Bolsonaro became the president of Brazil: an incredible coincidence that has delivered a virus and the anti-virus at the same time. Ostensibly a search to track down the former owners of a Volkswagen Beetle registered under the license plate KFZ-1348, the film takes the car as its main device and approaches the lives of its owners as a privileged window onto Brazilian society. Rodrigo, however, is a fictional persona, and parts of the plot have been scripted by Mascaro. Using subtle, distanced perspectives, the fixed camera remains close to the subject, his daily routine and his exchanges with others. This approach has the effect of immensely broadening the imagination of the audience, although it might also cause some confusion. This work is an art film that blurs the boundaries between documentary and fiction. Gabriel Mascaro’s approach to the main character, Rodrigo, and his everyday life is based on an artistic methodology that echoes one of the principal trends of documentary practice in contemporary art. That same year, he released the short film A Onda Traz, O Vento Leva (Ebb and Flow). In 2010, Mascaro launched another documentary, Avenida Brasília Formosa. He started his career as a documentary-maker in 2008, with KFZ-1348 (co-directed by Marcelo Pedroso), Um Lugar ao Sol (High-rise, 2009) and Doméstica (Housemaids, 2013). [45] He further discussed the film's originality in a second article entitled: “How Gabriel Mascaro invented a new kind of cinema”.[46]. Looking for some great streaming picks? I said in my Sundance review, “After sprinkling magical realist touches in his prior film Neon Bull, the director’s imagination is once again deployed with full force here. Furthermore, it succeeds in creating an atmosphere of verisimilitude through multiple connotations and implications. [41] Its Brazilian debut was at the Rio Film Festival, where it won four prizes. Gabriel Mascaro at IFFR Gabriel MASCARO (1983, Brazil) graduated in Social Communications from the Federal University of Pernambuco. He also created an installation entitled Não é Sobre Sapatos (This is not about shoes) and the photographic series Desamar (De-love). Joana is the main character but is far from being the heroic antagonist of the system. Gabriel Mascaro (1983) is a filmmaker and visual artist from Recife, Brazil. [49][50], International Documentary Film Festival Amsterdam, Buenos Aires International Festival of Independent Cinema, Orizzonti Special Jury Prize at Venice Film Festival, Platform Special Mention at the Toronto International Film Festival, Platform Award at the Toronto International Film Festival, Orizzonti Award at the Venice Film Festival, http://www.diariodepernambuco.com.br/app/noticia/viver/2015/08/30/internas_viver,595322/musicos-e-fotografos-se-juntam-e-criam-a-orquestra-pernambucana-de-fotografia.shtml, http://www.labiennale.org/it/cinema/archivio/mostra-72/film/sel-uff/orizzonti/boi-neon.html, http://www.labiennale.org/it/cinema/archivio/mostra-72/premi/, http://www.festivaldorio.com.br/br/noticias/i-boi-neon-i-e-i-olmo-i-levam-o-trofeu-redentor-2015, http://www.lbv.co/velvet_voice/boletin_ficci/56ficci/com031_ficci_ganadores.html, http://www.pardolive.ch/pardo/history/palmares.html, https://iffr.com/en/persons/gabriel-mascaro, https://www.guggenheim.org/blogs/map/tropical-uncanny-curating-latin-american-film-in-the-twenty-first-century, http://site.videobrasil.org.br/acervo/artistas/eventos/308997, http://www.macba.cat/en/exhibition-capella-gabriel-mascaro, https://www.moma.org/calendar/events/1913?high_contrast=true&locale=ko, http://videoformes.com/hors-festival/residences/gabriel-mascaro-2/?lang=en, https://inresidence.videobrasil.org.br/gabriel-mascaro/, http://39.mostra.org/br/jornal_interno/1600-Premios,-musica-e-emocao-encerram-a-32a.-Mostra-Internacional-de-Cinema, http://festivalesanteriores.buenosaires.gob.ar/bafici/home09/web/es/films/info/$id/225.html, https://www.visionsdureel.ch/fileadmin/user_upload/Documents/VisionsDuReel/WWW/Archives/programmes/VDR2009_Programme.pdf, http://www.laweekly.com/film/los-angeles-film-festival-reviews-a-to-z-2160280, http://www.redebrasilatual.com.br/entretenimento/2011/02/descompasso-entre-politicas-de-habitacao-e-realidade-de-recife-esta-em-documentario-avenida-brasilia-formosa, https://iffr.com/en/blog/hubert-bals-fund-selects-29-projects-in-its-spring-2010-selection-round, http://www1.folha.uol.com.br/ilustrissima/1231600-empreguetes-so-que-nao.shtml, http://www.festbrasilia.com.br/2012/noticias, http://www.coisadecinema.com.br/viii_panorama/premiacao.html, http://www.cachoeiradoc.com.br/2012/?p=720, http://cultura.estadao.com.br/noticias/geral,relacoes-de-afeto-e-injustica-social-imp-,970902, http://www.artaids.com/blog/2011/09/13/gabriel-mascaro-winner-of-artaids-video-grant-2011/, http://www.festbrasilia.com.br/2012/mostraaberta/12/a-onda-traz-o-vento-leva, http://www.filmfestamiens.org/?PALMARES,6479&lang=fr, http://www.festbrasilia.com.br/2014/noticia/premiados-do-47a-festival-de-brasalia-do-cinema-brasileiro/21, http://www.diariodepernambuco.com.br/app/noticia/divirtase/46,51,46,61/2015/12/12/internas_viver,615912/cineasta-pernambucano-ganha-premio-entregue-por-francis-ford-coppola.shtml, http://www1.folha.uol.com.br/ilustrissima/2016/05/1773124-o-poema-dos-generos-e-a-verdade-estetica-de-boi-neon.shtml, http://www.indiewire.com/2015/09/toronto-review-neon-bull-is-the-great-discovery-of-this-years-festival-57790/, http://www.indiewire.com/2016/04/how-gabriel-mascaro-invented-a-new-kind-of-cinema-for-neon-bull-indiewire-springboard-21773/, http://www.filmlinc.org/series/gabriel-mascaro-ebbs-flows/, http://pt.gabrielmascaro.com/Um-lugar-ao-Sol, https://en.wikipedia.org/w/index.php?title=Gabriel_Mascaro&oldid=977172055, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 September 2020, at 09:33. The last scene with the nameless boy will constitute a sort of triumph of the accident, the celebration of the body and of its uncontrollable nature, the redemption of freedom. 1 Stimme. A ONDA TRAZ, O VENTO LEVA Divine Love opens on November 13 in theaters and virtual cinemas. ©FILMSTARTS.de, Entdecke die Karriere von Gabriel Mascaro, Mit Jobs | https://www.macba.cat/en/. Using subtle, distanced perspectives, the fixed camera remains close to the subject, his daily routine and his exchanges with others. [31] Writing in the Estado de São Paulo newspaper, film critic Luis Carlos Merten said that “No other film does nearly as much as Housemaids to portray a reality long seared into the Brazilian unconscious”. Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. Impressum | Gabriel Mascaro, Writer: Divino Amor. Woman - 2000 Frauen. Gabriel Mascaro’s choice of the renowned actress Dira Paes for the role of Joana is not only particularly good in sustaining a difficult character to play, but is also a gesture that makes an important part of Brazilian popular culture flow into Divino Amor. Divino Amor grandiosely expresses the aesthetic core of this cultural colonisation in building a fictional religion whose rituals and appearances are minimalist and highly artificial.

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